Performance Practices
The opera's final ensemble was generally omitted until the mid-20th century, and does not appear in the Viennese libretto of 1788. Mozart also made a shortened version of the operatic score. Nonetheless, the final ensemble is almost invariably performed in full today.
Another modern approach occasionally encountered is to cut Don Ottavio's most celebrated aria, "Il mio tesoro", in favour of the less demanding "Dalla sua pace", which replaced it in the Viennese premiere in order to suit the tenor Francesco Morella. Most modern productions find a place for both tenor arias, however. In addition, the duet, "Per queste tue manine", composed specifically for the Viennese premiere, is cut frequently from 21st century productions of the opera.
In modern-day productions, Masetto and the Commendatore are typically played by different singers, although the same singer played both roles in both the Prague and Vienna premieres, and the final scene's chorus of demons after the Commendatore's exit gives the singer time for a costume change before entering as Masetto for the sextet.
Read more about this topic: Leporello
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