Frequent Composer For Giuseppe Tornatore
In 1988 Morricone started an on-going and very successful collaboration with Italian director Giuseppe Tornatore. His first score for Tornatore was for the drama film Cinema Paradiso. The international version of the film won the Special Jury Prize at the 1989 Cannes Film Festival and the 1989 Best Foreign Language Film Oscar. In 2002, the director's cut 173-minute version was released (known in the U.S. as Cinema Paradiso: The New Version). Morricone received a BAFTA-award and a David di Donatello for his score.
After the success of Cinema Paradiso, the composer wrote the music for all subsequent films by Giuseppe Tornatore: the drama film Everybody’s Fine (Stanno Tutti Bene, 1990), A Pure Formality (1994) starring Gerard Dépardieu and Roman Polanski, The Star Maker (1995), The Legend of 1900 (1998) starring Tim Roth, the 2000 romantic drama Malèna (which featured Monica Bellucci) and the psychological thriller mystery film La sconosciuta (2006).
More recently, Morricone composed the scores for Baarìa - La porta del vento (2009) and The Best Offer (2013) starring Geoffrey Rush, Jim Sturgess and Donald Sutherland.
The composer won several music awards for his scores to Giuseppe Tornatore’s movies. So, Morricone received a fifth Academy Award nomination and a Golden Globe nomination for Malèna. For Legend of 1900, he won a Golden Globe Award for Best Original Score.
Read more about this topic: Leo Nichols
Famous quotes containing the words frequent, composer and/or giuseppe:
“Mixed dinner parties of ladies and gentlemen ... are very rare, which is a great defect in the society; not only as depriving them of the most social and hospitable manner of meeting, but as leading to frequent dinner parties of gentlemen without ladies, which certainly does not conduce to refinement.”
—Frances Trollope (17801863)
“A person taking stock in middle age is like an artist or composer looking at an unfinished work; but whereas the composer and the painter can erase some of their past efforts, we cannot. We are stuck with what we have lived through. The trick is to finish it with a sense of design and a flourish rather than to patch up the holes or merely to add new patches to it.”
—Harry S. Broudy (b. 1905)
“John Brown and Giuseppe Garibaldi were contemporaries not solely in the matter of time; their endeavors as liberators link their names where other likeness is absent; and the peaks of their careers were reached almost simultaneously: the Harpers Ferry Raid occurred in 1859, the raid on Sicily in the following year. Both events, however differing in character, were equally quixotic.”
—John Cournos (18811956)