The Beginning of An Acting Career, Role in The Godfather
The filming of the classic film The Godfather faced strong opposition from the Italian-American Civil Rights League, the disputes headed by Joe Colombo and also heavy opposition from Frank Sinatra threatening its whole production. Producer Al Ruddy eventually made a deal with the league and Joe Colombo to cut the word Mafia from the script, and the league were behind the production of the film. This meant many mobsters would be present on the set of The Godfather. It was in 1971 that Montana was acting as a bodyguard for a senior Colombo Family member that Lenny, Francis Ford Coppola and Al Ruddy met. After being introduced to the 6-foot-6, 320-pound Montana, they quickly cast him for the role of Luca Brasi. When Bettye McCartt, Al Ruddy's assistant, broke her watch, Montana offered to get her a new one. A week later, Montana returned with a "gift from the boys" – an antique diamond watch. He was picked for the part after the original actor playing the character died of a stroke. This would be his first film appearance. His role was that of brutal mob enforcer Luca Brasi, a hitman used by Don Corleone (Marlon Brando). Montana was so nervous about appearing opposite Brando that he kept practicing his lines over and over again. Francis Ford Coppola rewrote the scene to feature this. Montana also suffered an attack of nerves during the scene where his character thanked the Don; Coppola also wrote this into the script as Brasi being overwhelmed by the Don's invitation to his daughter's wedding. He had little screen time in the role of Luca Brasi, but his notable height and physique caught the eye of producers, and he appeared in several movies and television programs after appearing in The Godfather.
Read more about this topic: Lenny Montana
Famous quotes containing the words beginning, acting, role and/or godfather:
“Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.”
—Virginia Woolf (1882–1941)
“It is probable that the principal credit of miracles, visions, enchantments, and such extraordinary occurrences comes from the power of imagination, acting principally upon the minds of the common people, which are softer.”
—Michel de Montaigne (1533–1592)
“His role was as the gentle teacher, the logical, compassionate, caring and articulate teacher, who inspired you so that you wanted to please him more than life itself.”
—Carol Lawrence, U.S. singer, star of West Side Story. Conversations About Bernstein, p. 172, ed. William Westbrook Burton, Oxford University Press (1995)
“His white head hung out like a carpet bag
and his crotch turned blue as a blood blister,
and Godfather death, as it is written,
put a finger on his back
for the big blackout,
the big no.”
—Anne Sexton (1928–1974)