Lee Quinones - Career

Career

He started with Subway Graffiti in 1974. By 1976, Lee was a legend, working in the shadow, leaving huge pieces of graffiti art across the subway system. As a subway graffiti artist, Lee almost exclusively painted whole cars, all together about 125 cars. Lee was a major contributor to the first-ever whole-train, along with DOC, MONO and SLAVE.

In November 1976, ten subway cars were painted with a range of colorful murals and set a new benchmark for the scale of graffiti works. This is documented in an interview with Quiñones in the book "Getting up" by Craig Castleman, MIT Press (MA) (October 1982). Quiñones apperad with several pieces in one of the most sold art books ever, "Subway Art", and the award winning documentary Style Wars. He became an influence for youths worldwide. Several of Quiñones whole cars made in the 70's and 80's has earned iconic status by graffiti writers all over the world, many of the pieces are only documented in cheap instamatic photos. "The Hell Express", "Earth is Hell, Heaven is Life", "Stop the Bomb" are some of Quiñones paintings that ran for months. Quiñones pieces were left untouched by other writers and some of them ran for years. Thousands of writers were painting on subway cars at that time.

Quiñones often added poetic messages in his pieces. "Graffiti is art and if art is a crime, please God, forgive me" is one of his most famous quotes. Except for subway cars, Lee also painted huge handball court murals in his neighbourhood, i e “Howard the Duck,” the first whole handball court mural, in the spring of 1978 outside of his old High School.

As part of one of the most respected writing crews, The Fabolous 5, Lee shared the philosophy of whole car bombing with the other members; DIRTY SLUG, MONO, DOC109, PROF 165, OG 2, BLUD, SONY, BOB, SLAVE and DEL. The most prolific members were DIRTY SLUG, MONO, DOC109, SLAVE and LEE (the youngest member of the crew). Along with SLAVE, LEE would keep the FAB 5 name alive long after the others retired.

Quiñones was one of the first street artists to transition away from creating murals on trains and begin creating canvas-based paintings. The 1979 exhibition of his canvases at Claudio Bruni’s Galleria Medusa in Rome introduced street art to the rest of the world.

Today, Quiñones is a well accepted artist. Recently, at an exhibition, all paintings were sold to guitar legend Eric Clapton. Quiñones raised money for the survivors of Katrina, by a bicycling tour from NYC to Florida. He also has hold lectures at universities in Europe as well as in the USA.

Quiñones' paintings are housed in the permanent collections of the Whitney Museum of Art, the Museum of the City New York, the Groninger Museum (Groningen, Netherlands) and the Museum Boijmans Van Beuningen (Rotterdam, Netherlands, and have been exhibited at the New Museum Of Contemporary Art (New York City), the Museum of National Monuments (Paris, France) and the Staatliche Museum (Germany). Pictures of his years as graffiti writer are featured in the books Subway Art, Spraycan Art., "The Birth of Graffiti", "Getting up" and "Graffiti Kings: New York City Mass Transit Art of the 1970s".

He appeared as Raymond Zoro in Charlie Ahearn's film Wild Style (1983) and appears in Blondie's promo video of the song "Rapture." He played Sammy in Rosemary Rodriguez's Acts of Worship (2001). He plays himself in Adam Bhala Lough's Bomb the System (2002). He also appears in Videograf 10.

Read more about this topic:  Lee Quinones

Famous quotes containing the word career:

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)