League of Electronic Musical Urban Robots


The League of Electronic Musical Urban Robots, or LEMUR, is a Brooklyn-based group of artists and technologists developing robotic musical instruments. Founded in 2000 by musician and engineer Eric Singer, LEMUR's philosophy is to build robotic instruments that play themselves. In LEMUR designs, the robots are the instruments.

LEMUR is supported in part by grants from the Rockefeller Foundation, the New York State Council on the Arts (NYSCA), the Greenwall Foundation, the Jerome Foundation, and Arts International. LEMUR is also sponsored by Harvestwork Digital Media Arts Center.

LEMUR is Eric Singer, Jeff Feddersen, Milena Iossifova, Bil Bowen, R. Luke DuBois, Leif Krinkle, Roberto Osorio-Goenaga, Bob Huott, Ajay Kapur, RocĂ­o Barcia, and Marius Schebella; LEMUR composers include Joshua Fried, Mari Kimura, Brendan Adamson, and Lee Ranaldo; past contributors include Kevin Larke, David Bianciardi, Michelle Cherian, Michael Hearst, Brendan J. FitzGerald, Chad Redmon, They Might Be Giants, and Kate Chapman.

Read more about League Of Electronic Musical Urban Robots:  LEMUR Instruments

Famous quotes containing the words league, electronic, musical, urban and/or robots:

    Half a league, half a league,
    Half a league onward,
    All in the valley of Death
    Rode the six hundred.
    “Forward the Light Brigade!
    Alfred Tennyson (1809–1892)

    The car as we know it is on the way out. To a large extent, I deplore its passing, for as a basically old- fashioned machine, it enshrines a basically old-fashioned idea: freedom. In terms of pollution, noise and human life, the price of that freedom may be high, but perhaps the car, by the very muddle and confusion it causes, may be holding back the remorseless spread of the regimented, electronic society.
    —J.G. (James Graham)

    Sometimes a musical phrase would perfectly sum up
    The mood of a moment. One of those lovelorn sonatas
    For wind instruments was riding past on a solemn white horse.
    Everybody wondered who the new arrival was.
    John Ashbery (b. 1927)

    The gay world that flourished in the half-century between 1890 and the beginning of the Second World War, a highly visible, remarkably complex, and continually changing gay male world, took shape in New York City.... It is not supposed to have existed.
    George Chauncey, U.S. educator, author. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940, p. 1, Basic Books (1994)

    The danger of the past was that men became slaves. The danger of the future is that men may become robots. True enough, robots do not rebel. But given man’s nature, robots cannot live and remain sane, they become “Golems,” they will destroy their world and themselves because they cannot stand any longer the boredom of a meaningless life.
    Erich Fromm (1900–1980)