League of Electronic Musical Urban Robots


The League of Electronic Musical Urban Robots, or LEMUR, is a Brooklyn-based group of artists and technologists developing robotic musical instruments. Founded in 2000 by musician and engineer Eric Singer, LEMUR's philosophy is to build robotic instruments that play themselves. In LEMUR designs, the robots are the instruments.

LEMUR is supported in part by grants from the Rockefeller Foundation, the New York State Council on the Arts (NYSCA), the Greenwall Foundation, the Jerome Foundation, and Arts International. LEMUR is also sponsored by Harvestwork Digital Media Arts Center.

LEMUR is Eric Singer, Jeff Feddersen, Milena Iossifova, Bil Bowen, R. Luke DuBois, Leif Krinkle, Roberto Osorio-Goenaga, Bob Huott, Ajay Kapur, RocĂ­o Barcia, and Marius Schebella; LEMUR composers include Joshua Fried, Mari Kimura, Brendan Adamson, and Lee Ranaldo; past contributors include Kevin Larke, David Bianciardi, Michelle Cherian, Michael Hearst, Brendan J. FitzGerald, Chad Redmon, They Might Be Giants, and Kate Chapman.

Read more about League Of Electronic Musical Urban Robots:  LEMUR Instruments

Famous quotes containing the words league, electronic, musical, urban and/or robots:

    Stereotypes fall in the face of humanity. You toodle along, thinking that all gay men wear leather after dark and should never, ever be permitted around a Little League field. And then one day your best friend from college, the one your kids adore, comes out to you.
    Anna Quindlen (b. 1952)

    Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list.
    John Berger (b. 1926)

    I was with Hercules and Cadmus once,
    When in a wood of Crete they bayed the bear
    With hounds of Sparta: never did I hear
    Such gallant chiding; for besides the groves,
    The skies, the fountains, every region near
    Seemed all one mutual cry. I never heard
    So musical a discord, such sweet thunder.
    William Shakespeare (1564–1616)

    Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.
    C. Wright Mills (1916–62)

    The danger of the past was that men became slaves. The danger of the future is that men may become robots. True enough, robots do not rebel. But given man’s nature, robots cannot live and remain sane, they become “Golems,” they will destroy their world and themselves because they cannot stand any longer the boredom of a meaningless life.
    Erich Fromm (1900–1980)