Music
In the late nineties, LMF played at various clubs and generated a lot of buzz in the indie music scene. They released their self-titled debut album in 1998 under their own label - A.Room Production ("A Room Studio" is the name of the studio where they recorded the album. It's also the location where Anodize, Screw, and N.T. recorded before they joined LMF). The album features six songs and sold almost 100,000 copies worldwide, a feat that is unheard of for a Hong Kong indie band without backing from a major label. In 1999, they signed with Warner Music HK's independent label - DNA.
Due to the band having so many members that crosses different genre, LMF's music can be best described as a diverse and coherent mix of hip hop, rock, and thrash metal, with occasional funk or even reggae thrown in. The genius lies in their ability to seamlessly put together all genres. For example, "傲氣長存" features a thrash metal-like intro, evolves into a funk beat, turns into a brief hip hop mix before returning to the funk beat with rap vocal. The chorus is thrash metal with singing vocal and the interlude is speed metal with heavy guitar muting and rap vocal on top.
The song 大懶堂 (Lazy Hall), using a hypothetical aftermath of winning the lottery as a backdrop to critique Hong Kong's competitive and stressful environment, struck a chord with the listening audience and is arguably the band's most popular hit. However, LMF made no attempt to follow up 大懶堂's commercial success with similar radio-friendly songs, preferring to explore their music in new directions.
Unlike most acts in the HK industry, LMF has total control of their music creation (courtesy of their agreement with the music label) and LMF said they are not under pressure to produce commercial hits nor would they have succumbed to such pressure if it was present.
Read more about this topic: Lazy Mutha Fucka
Famous quotes containing the word music:
“Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence.”
—T.S. (Thomas Stearns)
“Franceska: I was happy in the life I built up for myself. I put a fine high wall of music around me and nothing could touch me. I was safe and secure. And then you had to come along and knock it all down and I hate you for that.
Maxwell: On the contrary, you love me.”
—Muriel Box (b. 1905)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)