Character Creation and Development
1989 was a year of big change for EastEnders, both behind the cameras and in front of them. Original production designer, Keith Harris, left the show, and co-creators, Tony Holland and Julia Smith, both decided that the time had come to move on too; their final contribution coinciding with the exit of one of EastEnders most successful characters, Den Watts (Leslie Grantham). A new producer, Mike Gibbon, took control of the show and he enlisted the most experienced writers to take over the storylining of the programme, which included Charlie Humphreys, Jane Hollowood and Tony McHale.
As well as Den, several other long running characters left the show in 1989, including three original cast members, Angie Watts (Anita Dobson), as well as Sue and Ali Osman (Sandy Ratcliff and Nejdet Salih) and their family; Donna Ludlow (Matilda Ziegler); Carmel Jackson (Judith Jacob) and her family, and one of the show's more controversial characters, Colin Russell (Michael Cashman). It was decided that 1989 was to be “a year of change” in Walford. EastEnders script-writer, Colin Brake, has suggested that "it was almost as if Walford itself was making a fresh start".
At the time EastEnders had come under criticism in the British media for being too depressing; arguably a reputation that it has never been able to shake. The programme makers were determined to change this. In 1989 there was a deliberate attempt to increase the lighter, more comic aspects of life in Albert Square. This led to the introduction of some characters who were deliberately conceived as comic or light-hearted. Such characters included Julie Cooper (Louise Plowright), a man-mad hairdresser; Marge Green — a batty older lady played by veteran comedy actress, Pat Coombs; Trevor Short (Phil McDermott), the "village idiot", and his friend, northern heart-breaker Paul Priestly (Mark Thrippleton); wheeler-dealer Vince Johnson (Hepburn Graham) and Laurie Bates, who was introduced in September and became Pete Beale's (Peter Dean) sparring partner.
On-screen Laurie arrived in Turpin Road Market and set up a rival fruit and veg stall in direct competition to Pete and the rivalry went further when he became romantically interested in Pete’s estranged wife, Kathy Beale (Gillian Taylforth). A feud between Laurie and Pete was launched, which included various jibes and games of one-upmanship, as each tried to outdo each other.
Humour was an important element in the storylines during 1989, with a greater amount of slapstick and light comedy than ever before. 1989's changes were a “brave experiment” and while some found this period of EastEnders entertaining, many other viewers felt that the comedy stretched the programme's credibility somewhat. The programme still covered many issues in 1989, such as domestic violence, drugs, racism and rape - specifically concerning the victim’s (Kathy) struggles to move on from the ordeal and trust other men (Laurie); however, the new emphasis on a more balanced mix between "light and heavy storylines" gave the "illusion" that the show had lost a "certain edge".
By the end of the year EastEnders had acquired a new executive producer, Michael Ferguson, who had previously been a successful producer on ITV's The Bill. Ultimately, Ferguson was responsible for bringing in a new sense of vitality, and creating a programme that was "more in touch" with the "real world" than it had been over the last year. A new era began in 1990 with the introduction of the Mitchell brothers, Phil (Steve McFadden) and Grant (Ross Kemp), two extremely successful characters, who would go on to dominate the soap thereafter. As the new production machine cleared the way for new characters and a new direction, a number of characters were axed from the show at the start of the year. Among them was Laurie, as well as every other "comedic" character that had been introduced to the show in 1989. By March 1990 they had all gone. On-screen it became clear that Laurie’s "infatuation" with Kathy was not reciprocated. Their on/off relationship came to an end and Laurie decided to give up his stall in Walford, making his final screen appearance on 8 March 1990.
Read more about this topic: Laurie Bates
Famous quotes containing the words character, creation and/or development:
“There is no character, howsoever good and fine, but it can be destroyed by ridicule, howsoever poor and witless. Observe the ass, for instance: his character is about perfect, he is the choicest spirit among all the humbler animals, yet see what ridicule has brought him to. Instead of feeling complimented when we are called an ass, we are left in doubt.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“If they had said that the sun or the moon had gone out of the heavens, it could not have struck me with the idea of a more awful and dreary blank in creation than the words: “Byron is dead!””
—Jane Welsh Carlyle (1801–1866)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)