Writing
When his eyesight began to fail, he turned more and more to writing. Housman's first literary success came with the novel An Englishwoman's Love-letters (1900), published anonymously. He then turned to drama with Bethlehem (1902) and was to become best known and remembered as a playwright. His other dramatic works include Angels and Ministers (1921), Little Plays of St. Francis (1922) and Victoria Regina (1934) which was even staged on Broadway. Housman's play, Pains and Penalties, about Queen Caroline, was produced by Edith Craig and the Pioneer Players.
Some of Housman's plays caused scandals because of depiction of biblical characters and living members of the Royal House on stage, and many of them were only played privately until the subsequent relaxation of theatrical censorship. In 1937 the Lord Chamberlain ruled that no British sovereign may be portrayed on the stage until 100 years after his or her accession. For this reason, Victoria Regina could not be staged until the centenary of Queen Victoria's accession, 20 June 1937. This was a Sunday, so the premiere took place the next day.
Housman also wrote children's fairy tales such as A Farm in Fairyland (1894) and fantasy stories with Christian undertones for adults, such as All-Fellows (1896), The Cloak of Friendship (1905), and Gods and Their Makers (1897).
A prolific writer with around a hundred published works to his name, his output eventually covered all kinds of literature from socialist and pacifist pamphlets to children's stories. He wrote an autobiography, The Unexpected Years (1937), which, despite his record of controversial writing, said little about his homosexuality. He also edited his brother's posthumous poems.
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