Style
She specialised in highly sentimental domestic and genre scenes of women and children, often in Dutch 17th-century settings and style, like Love's Beginning, Hush-a-bye, The Carol, At the Doorway (c.1898, shown right) and Sunshine. She did paint some classical subjects and landscapes akin to those of her husband, but in general her main influence was 17th-century Dutch art, which was a far less restrained influence in her work than his.
Read more about this topic: Laura Theresa Alma-Tadema
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—Elizabeth Stuart Phelps (1844–1911)
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—Raymond Chandler (1888–1959)