Style
Ozu's unique style has been widely noted by critics and scholars. Some have considered it an anti-Hollywood style, as he eventually rejected many conventions of Hollywood filmmaking. Some aspects of the style of Late Spring—which also apply to Ozu's late-period style in general, as the film is typical in almost all respects—include Ozu's use of the camera, his use of actors, his idiosyncratic editing and his frequent employment of a distinctive type of shot that some commentators have called a "pillow shot."
Read more about this topic: Late Spring
Famous quotes containing the word style:
“Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.”
—Margaret Oliphant (1828–1897)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their children’s future—fear that they’ll lose control, that the children will wind up on the streets or, worse yet, in jail.”
—Lillian Breslow Rubin (20th century)