Style
Ozu's unique style has been widely noted by critics and scholars. Some have considered it an anti-Hollywood style, as he eventually rejected many conventions of Hollywood filmmaking. Some aspects of the style of Late Spring—which also apply to Ozu's late-period style in general, as the film is typical in almost all respects—include Ozu's use of the camera, his use of actors, his idiosyncratic editing and his frequent employment of a distinctive type of shot that some commentators have called a "pillow shot."
Read more about this topic: Late Spring
Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.”
—Edward Gibbon (1737–1794)