Style
Ozu's unique style has been widely noted by critics and scholars. Some have considered it an anti-Hollywood style, as he eventually rejected many conventions of Hollywood filmmaking. Some aspects of the style of Late Spring—which also apply to Ozu's late-period style in general, as the film is typical in almost all respects—include Ozu's use of the camera, his use of actors, his idiosyncratic editing and his frequent employment of a distinctive type of shot that some commentators have called a "pillow shot."
Read more about this topic: Late Spring
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.”
—Margaret Oliphant (1828–1897)