Writing
Eisenberg published his first short story, "Dr. Beltzov's Polyunsaturated Kasha Oil Diet," in Harper's Magazine in 1962. Shortly after that, he began publishing his stories in many of the leading science fiction magazines of the day, including The Magazine of Fantasy and Science Fiction, Galaxy Science Fiction, and If. Many of these stories have a humorous style and feature his character Professor Emmet Duckworth, a research scientist and two-time winner of the Nobel Prize.
Eisenberg is best known for his short story What Happened to Auguste Clarot?, which was published in the anthology Dangerous Visions edited by Harlan Ellison. His stories have also been reprinted in anthologies such as Great Science Fiction of the 20th Century, The 10th Annual of the Year’s Best SF, and Great Science Fiction By the World's Great Scientists.
He has published two books of limericks (both with George Gordon), and one collection of short stories, Best Laid Schemes. More recently, he has gained a cult following for the limericks he posts in the comments sections of various New York Times articles and has been called the "closest thing this paper has to a poet in residence."
Read more about this topic: Larry Eisenberg
Famous quotes containing the word writing:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“Such writing is a sort of mental masturbation.... I don’t mean that he is indecent but viciously soliciting his own ideas into a state which is neither poetry nor anything else but a Bedlam vision produced by raw pork and opium.”
—George Gordon Noel Byron (1788–1824)
“One can write out of love or hate. Hate tells one a great deal about a person. Love makes one become the person. Love, contrary to legend, is not half as blind, at least for writing purposes, as hate. Love can see the evil and not cease to be love. Hate cannot see the good and remain hate. The writer, writing out of hatred, will, thus, paint a far more partial picture than if he had written out of love.”
—Jessamyn West (1902–1984)