The Land of Toys in The Novel
The original take to the Land Of Toys mixes the aspects of a morality tale with those of social critique. Boys are lured there by the promise of never having to go to school again and being able to spend their whole time having fun. Boys there play hide-and-seek, whistle, watch puppets in canvas theatres, play shuttlecock, bounce on balls, trundle hoops, and ride wooden horses. They never have to do any work or learn anything, and the graffiti on all the walls is proof of that. As a result, almost as a natural consequence, they become donkeys (in Italian culture, the donkey is symbolic of ignorance and stupidity).
When framed in the context of the late 19th century, the chapters set in the Land of Toys also serve as social commentary: abandoning school means securing oneself a future with no other chance to make a living but hard labor, and there are plenty of people (like the ruthless coachman) who will try and take advantage of that.
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Famous quotes containing the words the land, land and/or toys:
“Take two kids in competition for their parents’ love and attention. Add to that the envy that one child feels for the accomplishments of the other; the resentment that each child feels for the privileges of the other; the personal frustrations that they don’t dare let out on anyone else but a brother or sister, and it’s not hard to understand why in families across the land, the sibling relationship contains enough emotional dynamite to set off rounds of daily explosions.”
—Adele Faber (20th century)
“The rage for road building is beneficent for America, where vast distance is so main a consideration in our domestic politics and trade, inasmuch as the great political promise of the invention is to hold the Union staunch, whose days already seem numbered by the mere inconvenience of transporting representatives, judges and officers across such tedious distances of land and water.”
—Ralph Waldo Emerson (1803–1882)
“For should your hands drop white and empty
All the toys of the world would break.”
—John Frederick Nims (b. 1913)