Lambert's Cosine Law - Relating Peak Luminous Intensity and Luminous Flux

Relating Peak Luminous Intensity and Luminous Flux

In general, the luminous intensity of a point on a surface varies by direction; for a Lambertian surface, that distribution is defined by the cosine law, with peak luminous intensity in the normal direction. Thus when the Lambertian assumption holds, we can calculate the total luminous flux, from the peak luminous intensity, by integrating the cosine law:

and so

where is the determinant of the Jacobian matrix for the unit sphere, and realizing that is luminous flux per steradian. Similarly, the peak intensity will be of the total radiated luminous flux. For Lambertian surfaces, the same factor of relates luminance to luminous emittance, radiant intensity to radiant flux, and radiance to radiant emittance. Radians and steradians are, of course, dimensionless and so "rad" and "sr" are included only for clarity.

Example: A surface with a luminance of say 100 cd/m2 (= 100 nits, typical PC monitor) will, if it is a perfect Lambert emitter, have a luminous emittance of 314 lm/m2. If its area is 0.1 m2 (~19" monitor) then the total light emitted, or luminous flux, would thus be 31.4 lm.

Read more about this topic:  Lambert's Cosine Law

Famous quotes containing the words relating, peak, luminous, intensity and/or flux:

    It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.
    Henri-Frédéric Amiel (1821–1881)

    In the mountains the shortest route is from peak to peak, but for that you must have long legs. Aphorisms should be peaks: and those to whom they are spoken should be big and tall of stature.
    Friedrich Nietzsche (1844–1900)

    Drawing is a struggle between nature and the artist, in which the better the artist understands the intentions of nature, the more easily he will triumph over it. For him it is not a question of copying, but of interpreting in a simpler and more luminous language.
    Charles Baudelaire (1821–1867)

    We may say that feelings have two kinds of intensity. One is the intensity of the feeling itself, by which loud sounds are distinguished from faint ones, luminous colors from dark ones, highly chromatic colors from almost neutral tints, etc. The other is the intensity of consciousness that lays hold of the feeling, which makes the ticking of a watch actually heard infinitely more vivid than a cannon shot remembered to have been heard a few minutes ago.
    Charles Sanders Peirce (1839–1914)

    Death not merely ends life, it also bestows upon it a silent completeness, snatched from the hazardous flux to which all things human are subject.
    Hannah Arendt (1906–1975)