Lady With An Ermine - Provenance

Provenance

The painting was acquired in Italy by Prince Adam Jerzy Czartoryski, the son of Princess Izabela Czartoryska and Prince Adam Kazimierz Czartoryski in 1798, and incorporated into the Czartoryskis’ family collections at Puławy in 1800. The inscription on the top-left corner of the painting, was probably added by a restorer shortly after its arrival in Poland, and before the background was overpainted. Czartoryski was clearly aware it was a Leonardo, though the painting had not ever been discussed in print; unfortunately, no record exists of any previous owner. The Belle Ferronière is the Leonardo portrait in the Louvre, whose sitter bears such a close resemblance, the Czartoryskis considered this sitter to be the same. The painting travelled extensively in the 19th century; Princess Czartoryski rescued it in advance of the invading Russian army in 1830, hid it, then sent it to Dresden and on to the Czartoryski place of exile in Paris, the Hôtel Lambert, returning it to Kraków in 1882. In 1939, almost immediately after the German occupation of Poland, it was seized by the Nazis and sent to the Kaiser Friedrich Museum in Berlin. In 1940, Hans Frank, the Governor General of Poland, requested it be returned to Kraków, where it hung in his suite of offices. At the end of the Second World War it was discovered by Allied troops in Frank's country home in Bavaria. It has since returned to Poland at the Czartoryski Museum in Kraków. Currently the painting is in Old Town, Kraków, on display at the Wawel Castle.

In the book of 1877 about Leonardo, it is said the location of Cecilia's portrait is not known and its owners in the 18th century are mentioned: "It is said that the original portrait of the beautiful Cecilia was, during the last century, in the possession of the Marquis Boursane at Milan. But where is it now?". Perhaps Adam Czartoryski bought the picture from them.