Critical Reception
Mordaunt Hall of the New York Times called it "a merry tale with touches of sentiment, a picture which evoked laughter and tears from an audience at the first showing." He added, "Its plausibility may be open to argument, but its entertainment value is not to be denied. It has aspects of Barrie's The Old Lady Shows Her Medals and also more than a mere suggestion of Shaw's Pygmalion, set forth, as might be anticipated, in a more popular vein."
Variety said the film "asks the spectator to believe in the improbable. It's Hans Christian Andersen stuff written by a hard-boiled journalist and transferred to the screen by trick-wise Hollywoodites. While not stinting a full measure of credit to director Frank Capra, it seems as if the spotlight of recognition ought to play rather strongly on scriptwriter Robert Riskin."
Channel 4 calls it "wonderfully improbable and charming" and, although "not a bona fide Capra classic," it is "cracking fun all the same."
Read more about this topic: Lady For A Day
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“Most critical writing is drivel and half of it is dishonest.... It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.”
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)