Structure
The structure of the poem is a mixture of two popular medieval allegorical elements: the Wheel of Fortune and the Ptolemaic universe. As mentioned above, the structure of the poem centers around three Wheels of Fortune (past, present and future). The first two wheels are visible to the narrator, while Providence leaves the third one veiled. Providence explains that the past and future wheels do not rotate, but the wheel for the present is still in motion, its outcome uncertain. On each wheel the narrator sees people from classical or Castilian history at varying levels of fortune. These different levels of fortune are represented by the Ptolemaic structure. Each wheel represents its own miniature of the Ptolemaic universe (the seven known celestial bodies with their allegorical connotations). The Ptolemaic element dominates the narrative structure of the poem, as the narration advances in order through the rings of the various planets. To sum up: We three Wheels of Fortune; each Wheel has seven rings representing a planet and its virtues; but, only two of the Wheels are visible to the narrator. On each ring there appear historical personages who either exemplify or lack the given virtue.
Read more about this topic: Laberinto De Fortuna
Famous quotes containing the word structure:
“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (1593–1633)
“There is no such thing as a language, not if a language is anything like what many philosophers and linguists have supposed. There is therefore no such thing to be learned, mastered, or born with. We must give up the idea of a clearly defined shared structure which language-users acquire and then apply to cases.”
—Donald Davidson (b. 1917)
“The structure was designed by an old sea captain who believed that the world would end in a flood. He built a home in the traditional shape of the Ark, inverted, with the roof forming the hull of the proposed vessel. The builder expected that the deluge would cause the house to topple and then reverse itself, floating away on its roof until it should land on some new Ararat.”
—For the State of New Jersey, U.S. public relief program (1935-1943)