Structure
The structure of the poem is a mixture of two popular medieval allegorical elements: the Wheel of Fortune and the Ptolemaic universe. As mentioned above, the structure of the poem centers around three Wheels of Fortune (past, present and future). The first two wheels are visible to the narrator, while Providence leaves the third one veiled. Providence explains that the past and future wheels do not rotate, but the wheel for the present is still in motion, its outcome uncertain. On each wheel the narrator sees people from classical or Castilian history at varying levels of fortune. These different levels of fortune are represented by the Ptolemaic structure. Each wheel represents its own miniature of the Ptolemaic universe (the seven known celestial bodies with their allegorical connotations). The Ptolemaic element dominates the narrative structure of the poem, as the narration advances in order through the rings of the various planets. To sum up: We three Wheels of Fortune; each Wheel has seven rings representing a planet and its virtues; but, only two of the Wheels are visible to the narrator. On each ring there appear historical personages who either exemplify or lack the given virtue.
Read more about this topic: Laberinto De Fortuna
Famous quotes containing the word structure:
“The question is still asked of women: “How do you propose to answer the need for child care?” That is an obvious attempt to structure conflict in the old terms. The questions are rather: “If we as a human community want children, how does the total society propose to provide for them?””
—Jean Baker Miller (20th century)
“With sixty staring me in the face, I have developed inflammation of the sentence structure and definite hardening of the paragraphs.”
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“I really do inhabit a system in which words are capable of shaking the entire structure of government, where words can prove mightier than ten military divisions.”
—Václav Havel (b. 1936)