Production
Saif Ali Khan was originally approached for the role of Rohan that went to Abhishek Bachchan, and Vidya Balan had earlier been offered the role that went to Konkona Sen Sharma. Laaga Chunari Mein Daag was Jaya Bachchan's first film since Nikhil Advani's Kal Ho Naa Ho in 2003.
The production of the film gathered some controversy when a lighting crew-member drowned in the Ganges River. During a shooting session in Varanasi, bodyguards of Rani Mukerji aggressively moved media people and fans away from the filmset. A political and media storm followed, as various groups insisted that Mukerji should have stopped the security guards. The actress then apologized to the media, though claiming the media were trying to get too close to both her and Konkona Sen Sharma. Some scenes involving Mukerji and Bachchan were shot in Bern, Switzerland and Spain.
Read more about this topic: Laaga Chunari Mein Daag
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)