La Huasteca - Culture

Culture

Despite the lack of ethnic Huastecs, the region still maintains a cultural identity, which is celebrated at various festivals such as the Encuentro de las Huastecas (Huastec Encounter) in Amatlán in November, and the Festival de la Huasteca in Ahuacatlán de Guadalupe, Purísimas de Arista and Agua Zarca in Querétaro. Much of the region’s culture has remained distinct because of the lack of communication with the outside world. This region is not been extensively studied by academics.

The most traditional dance and music of the region is called the Huapango or Son Huasteco. It is played by a trio of musicians: one playing a small, five-string rhythm guitar called a jarana huasteca, one on an eight-string bass guitar called a quinta huapanguera and another playing a violin. The two guitarists sing coplas, or short poetry stanzas, alternating verses between them. Son huasteco has two unique trademarks: improvised violin ornamentations based on a melody, and the use of a high falsetto voice. The style has spread beyond Veracruz and San Luis Potosí to other states including Hidalgo, which is now another center for the music. Unlike other folk music in Mexico, it is not in danger of disappearing and remains in high demand for major celebrations in La Huasteca. The music has been researched and cataloged for over forty years which has resulted in a two CD compilation called El Gusto. It was also the focus of a documentary called “A Mexican Sound” by Roy Germano.

The dance is performed on an elevated platform called a zapatea. The music and dance in its several varieties is shared by all the ethnicities of the region. It is most often performed in rural social events called “fandangos.” . It is also performed at the various Huastec cultural events such as the Festival de la Huasteca in Querétaro.

Traditional dishes include mixotes, enchiladas, barbacoa and especially a corn pudding called zacahuil.

The end of wet season farming ends with Xantolo. It is similar to Day of the Dead and celebrated at the same time, but it has important differences. Xantolo brings people to cemeteries as well but it is to celebrate the living and the dead, as it marks the harvest of this growing season. Preparations for Xantolo last a week with altars remaining through November. Gifts of food are prepared to exchange with god parents, friends, family and neighbors. Altars consist of arches over a rectangular table. Each corner of the table has a pole to represent the four stages of human life (childhood, adolescence, adult and old age. The poles are bent towards the center above the table to form arches, and covered with branches of local flora. It shares certain elements with Day of the Dead such as cempasúchil flowers, papel picado and the creation of altars to the dead adorned with local fruit, candles and copal incense. It lasts from 29 October with the slaughter of pigs and turkeys. October 30 and 31 are for the remembrance of children and adults respectively and November 1 is not only for saints but also to honor godparents. A traditional dance for the event has groups of dancers who ridicule the powerful of the local society then are chained by a devil. These dancers perform with cloth masks, with the aim that Death does not recognize them and take them away.

The Volador rite is performed by the Huastecs in the east of San Luis Potosí although they wear normal clothes adorned with feathers. The exception is the captain who wears a red or blue tunic.

Carnival is important in the Veracruz part of the Huasteca, but each as a very local and religious character. For the Nahuas, Carnival is considered to be a “ritual of inversion” where social norms are relaxed. This is done to “placate the Devil” and keep him happy as well. Activities include men dressing as women and local authorities are made powerless temporarily. Offerings are also made by burial, perhaps an offering to the underworld. In many communities, many birds are slaughtered and alcohol is drunk in abundance. Carnival marks the end of dry season farming before rains begin in earnest in April. Ceremonies to ask for abundant rain begin after the end of Lent .

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