La Calisto - Performance History

Performance History

Faustini, who was an impresario as well as a librettist, rented the Sant 'Apollinare Theatre in 1650. He and Cavalli put on three operas there before his death in December 1651 during the run of La Calisto. The theatre was equipped with complex stage machinery intended to impress the opera audiences with spectacle. However, the eleven performances of La Calisto from 28 November to 31 December 1651 attracted only about 1,200 patrons to a theatre that housed 400.

The manuscript score was preserved in the Biblioteca Marciana, Venice, allowing La Calisto to be revived in modern times. The first person to publish the score was the British conductor Raymond Leppard in 1975. Leppard had arranged the opera for performance at Glyndebourne Festival Opera in 1970. This production included a number of then-prominent singers including Janet Baker as Diana. It was significant for creating new audiences for baroque opera. However, the way that Leppard had "realised" (as he termed his orchestrations) the opera was removed from the original work. The recording of the Glyndebourne version has been re-released on compact disc.

In 2008, Jennifer Williams Brown's edition of the score (A-R Editions, 2007) won the American Musicological Society's Claude V. Palisca award (recognizing outstanding scholarly editions or translations).

Read more about this topic:  La Calisto

Famous quotes containing the words performance and/or history:

    Having an identity at work separate from an identity at home means that the work role can help absorb some of the emotional shock of domestic distress. Even a mediocre performance at the office can help a person repair self-esteem damaged in domestic battles.
    Faye J. Crosby (20th century)

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)