La Calisto - Performance History

Performance History

Faustini, who was an impresario as well as a librettist, rented the Sant 'Apollinare Theatre in 1650. He and Cavalli put on three operas there before his death in December 1651 during the run of La Calisto. The theatre was equipped with complex stage machinery intended to impress the opera audiences with spectacle. However, the eleven performances of La Calisto from 28 November to 31 December 1651 attracted only about 1,200 patrons to a theatre that housed 400.

The manuscript score was preserved in the Biblioteca Marciana, Venice, allowing La Calisto to be revived in modern times. The first person to publish the score was the British conductor Raymond Leppard in 1975. Leppard had arranged the opera for performance at Glyndebourne Festival Opera in 1970. This production included a number of then-prominent singers including Janet Baker as Diana. It was significant for creating new audiences for baroque opera. However, the way that Leppard had "realised" (as he termed his orchestrations) the opera was removed from the original work. The recording of the Glyndebourne version has been re-released on compact disc.

In 2008, Jennifer Williams Brown's edition of the score (A-R Editions, 2007) won the American Musicological Society's Claude V. Palisca award (recognizing outstanding scholarly editions or translations).

Read more about this topic:  La Calisto

Famous quotes containing the words performance and/or history:

    “They say all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.”
    —William Shakespeare (1564–1616)

    “What we call National-Socialism is the poisonous perversion of ideas which have a long history in German intellectual life.”
    —Thomas Mann (1875–1955)