The Kyoto school (京都派 -ha) was a collection of several styles and schools of Japanese painting of the late Edo period. Though there are many broad similarities between the styles within the school, these styles display key differences that separate them. Many were in fact reactions to one another, an artist or group of artists seeking to express themselves differently from those around them.
One of the more prominent schools under the Kyoto school umbrella was the Shijō school, named after the street where many of the artists had their studios. Shijō (四条) literally translates to 'fourth avenue.' This school sought to produce a synthesis of the more realistic style of Maruyama Ōkyo with that of the nanga or Southern School styles. Mori Sosen was one of the more prominent painters in the Shijō school.
The nanga or Southern School, meanwhile, rebelled against the realism of Ōkyo and the Shijō artists, seeking to return to the inspiration and style of China's Southern School.
| This art movement-related article is a stub. You can help Wikipedia by expanding it. |
| This article related to art or architecture in Japan is a stub. You can help Wikipedia by expanding it. |
Famous quotes containing the word school:
“The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
—Shirley Chisholm (b. 1924)