Selected Works
- Matsuri no ha (Ritual of death), Tokyo: Kodansha, 1975.
- Shanhai, Tōkyō : Chūō Kōronsha, 1983.
- Sangai no ie (三界の家), Tōkyō : Shinchōsha, 1984.
- Michi (道), Tōkyō : Bungei Shunju, 1985.
- Tanima (谷間), Tōkyō : Kōdansha, 1988.
- Rinbu (輪舞), Tōkyō : Shinchōsha, 1989.
- Yasuraka ni ima wa nemuritamae (やすらかに今はねむり給え), Tōkyō : Kōdansha, 1990.
- Seishun (青春), Tōkyō : Shinchōsha, 1994.
- Bājinia no aoi sora (ヴァージニアの蒼い空), Tōkyō : Nihon Tosho Sentā, 2005.
- Matsuri no ba. Gyaman bīdoro (祭の場. ギヤマン ビードロ), Tōkyō : Nihon Tosho Sentā, 2005.
- Missheru no kuchibeni (ミッシェルの口紅. 上海), Tōkyō : Nihon Tosho Sentā, 2005.
- Nagai jikan o kaketa ningen no keiken (長い時間をかけた人間の経験), Tōkyō : Nihon Tosho Sentā, 2005.
- Rinbu. Kashi no ki no tēburu (輪舞. 樫の木のテーブル), Tōkyō : Nihon Tosho Sentā, 2005.
- Sangai no ie. Michi (三界の家. 道), Tōkyō : Nihon Tosho Sentā, 2005.
- Shizen o kou. Shunkan no kioku (自然を恋う. 瞬間の記憶), Tōkyō : Nihon Tosho Sentā, 2005.
- Yasuraka ni ima wa nemuritamae. Seishun (やすらかに今はねむり給え. 青春), Tōkyō : Nihon Tosho Sentā, 2005.
| Biography portal | |
| Novels portal | |
| Japan portal |
Read more about this topic: Kyoko Hayashi
Famous quotes containing the words selected and/or works:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)