Kwakwaka'wakw Mythology - Ceremony

Ceremony

Kwakwaka'wakw spirituality is transmitted at ceremonies, mostly during the winter season. These ceremonies are often referred to as potlatches. They are mostly designed for the transference, justification, and reaffirmation of family and spiritual status inherited from primeval ancestors who contacted the spirit world and were given privileges from beings of a supernatural nature. These beings prefer honor, power, and magic through the gift of Tlugwe, which are supernatural treasures, often taking the physical form of masks and regalia, but also comprising stories, songs, recitations, dances, and other intangible performances.

Kwakwaka'wakw spirits, like those of other Northwest Coast peoples, can be divided into four separate spirit realms, including sky spirits, sea spirits, earth spirits, and otherworldly spirits. All four realms interact with one another, and human beings attempt to contact all four worlds and often channel their spirits at sacred ceremonies wherein dancers go into trances while wearing masks and other regalia associated with the spiritworld.

Of particular importance in Kwakwaka'wakw culture is the secret society called Hamatsa. During the winter, there is a four-day, complex dance that serves to initiate new members of Hamatsa. The Hamatsa dancer represents the spirit of Baxbaxwalanuksiwe ("Man-Eater at the North End of the World"); who can transform into various man-eating birds and has mouths all over his body. Hamatsa initiates are possessed by Baxwbakwalanuksiwe'. On the first day of the Hamatsa ceremonies the initiate is lured out of the woods and brought into the Big House to be tamed. When the initiate returns, he enacts his cannibalistic possession symbolically. Gwaxwgwakwalanuksiwe' is the most prestigious role in the Supernatural Man-Eater Birds ceremony; he is a man-eating raven. Galuxwadzuwus ("Crooked-Beak of Heaven") and Huxhukw (supernatural Crane-Like Bird who cracks skulls of men to suck out their brains) are other participants.

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