Music
Traditionally, there are three types of Kurdish Classical performers - storytellers (çîrokbêj), minstrels (stranbêj) and bards (dengbêj). There was no specific music related to the Kurdish princely courts, and instead, music performed in night gatherings (şevbihêrk) is considered classical. Several musical forms are found in this genre. Many songs and are epic in nature, such as the popular Lawik's which are heroic ballads recounting the tales of Kurdish heroes of the past like Saladin. Heyrans are love ballads usually expressing the melancholy of separation and unfulfilled love. Lawje is a form of religious music and Payizoks are songs performed specifically in autumn. Love songs, dance music, wedding and other celebratory songs (dîlok/narînk), erotic poetry and work songs are also popular. Kurdish folklore is a very rich one. Kurds have their own national attire. The women usually wear colored dresses.These dresses differe from area to another area. One can tell from which province or city a certain lady is by looking at her dress. As to the men, they have the "shalûshepik" or "rengûchox" a sort of baggy trousers "shirwal" with an upper shirt. Round the belt they tie a long piece of cloth. The men also use "shashik" or "cemedanî" with a "claw" on their heads. Kurds love to dance and they have hundreds of folk-dances.The music usually have speedy tacts and high tuned. They mostly use the "zurna" (kind of flute) and "Dehol" (drum". While kurds also enjoy melancholic maqams or ballads that usually tells about events from the past. Many historians use these ballads as oral history passed through the generations.
Read more about this topic: Kurdish Culture
Famous quotes containing the word music:
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
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“The time was once, when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.”
—William Shakespeare (1564–1616)