Works
His first published science fiction story was "Bis zum Nullpunkt des Seins" ("To the Zero Point of Existence", 1871), depicting life in 2371, but he earned his reputation with his 1897 novel Two Planets, which describes an encounter between humans and a Martian civilization that is older and more advanced. The book has the Martian race running out of water, eating synthetic foods, travelling by rolling roads, and utilising space stations. His spaceships use anti-gravity, but travel realistic orbital trajectories, and use occasional mid-course corrections in travelling between Mars and the Earth; the book depicted the technically correct transit between the orbits of two planets, something poorly understood by other early science fiction writers. It influenced Walter Hohmann and Wernher von Braun. The book was not translated into English until 1971 (as Two Planets, and the translation is incomplete). A story from Lasswitz's Traumkristalle served as the basis for The Library of Babel, a short story by Jorge Luis Borges.
His last book was Sternentau: die Pflanze vom Neptunsmond ("Star Dew: the Plant of Neptune's Moon", 1909). He is also known for his 1896 biography of Gustav Fechner.
A crater on Mars was named in his honour, as was the asteroid 46514 Lasswitz.
There also is a Kurd-Laßwitz-Preis, an award for German-speaking authors of science fiction since 1981.
Read more about this topic: Kurd Lasswitz
Famous quotes containing the word works:
“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)
“I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (1860–1904)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)