Reception
Kung Faux: "revisionist Mic Neumann has an offering worthy of the Postmodernism canon, alongside Jean-Luc Godard's Weekend and Luis Bunuel's Chien Andalou.", reported Steve Johnston of The Film Cynics. Rashaun Hall of Billboard Magazine considered the mix of vintage kung-fu film footage, voice-overs with rappers, comic book style special effects, and a hip-hop soundtrack to be "a high-flying, hilarious send-up of the kung-fu genre." Evan Serpick, editor of Entertainment Weekly said the first two episodes of Kung Faux "are filled with hysterical and clever infusions". The Orlando Sentinel's Matthew Mark said "Kung Faux is a work of Postmodernism that would make Jacques Derrida's head spin." Muzik editor Conor W. McNicholas included Kung Faux in the magazine's Special Edition "Hot 50" issue, calling it "Comedy Gold" and Beth Accomando of KBPS said Kung Faux is "Hilarious, Fresh and Inspired."
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)