Kundun - Reception

Reception

The film (according to Roger Ebert) was "made of episodes, not a plot". Even before the film was released, China's leaders hotly objected to Disney's plans to distribute the film, even to the point of threatening Disney's future access to China as a market. Disney's steadfastness stood in stark contrast to Universal Pictures, which had earlier "turned down the chance to distribute Kundun for fear of upsetting the Chinese." Scorsese, Mathison, and several other members of the production were banned by the Chinese government from ever entering China as a result of making the film. The film did poorly at the box office, taking in less than $6 million in a limited U.S. distribution. Kundun was nominated for four Academy Awards: for Art Direction (Dante Ferretti, art direction and Francesca Lo Schiavo, set decoration), Cinematography (Roger Deakins), Costume Design, and Original Score (Philip Glass). The film currently holds a 76% "Fresh" rating on Rotten Tomatoes based on 59 reviews, indicating generally positive reviews.

Stephen Holden of The New York Times called the film "emotionally remote" but praises its look and its score: "The movie is a triumph for the cinematographer Roger Deakins, who has given it the look of an illuminated manuscript. As its imagery becomes more surreal and mystically abstract, Mr. Glass's ethereal electronic score, which suggests a Himalyan music of the spheres, gathers force and energy and the music and pictures achieve a sublime synergy." Richard Corliss praised the cinematography and score as well: "Aided by Roger Deakins' pristine camera work and the euphoric drone of Philip Glass's score, Scorsese devises a poem of textures and silences. Visions, nightmares and history blend in a tapestry as subtle as the Tibetans' gorgeous mandalas of sand." Roger Ebert gave the film three stars out of four, saying: "There is rarely the sense that a living, breathing and (dare I say?) fallible human inhabits the body of the Dalai Lama. Unlike Scorsese's portrait of Jesus in The Last Temptation of Christ, this is not a man striving for perfection, but perfection in the shape of a man. ... Once we understand that "Kundun" will not be a drama involving a plausible human character, we are freed to see the film as it is: an act of devotion, an act even of spiritual desperation, flung into the eyes of 20th century materialism. The film's visuals and music are rich and inspiring, and like a mass by Bach or a Renaissance church painting, it exists as an aid to worship: It wants to enhance, not question." David Edelstein called the movie a hagiography whose "music ties together all the pretty pictures, gives the narrative some momentum, and helps to induce a kind of alert detachment, so that you're neither especially interested nor especially bored."

Barry Norman, Chief film critic at the BBC opined that Kundun was, "beautifully and intelligently made, far more impressive, for instance, the recent Seven Years in Tibet". As Kundun was released in the UK four months after its original release Norman was able to probe Scorcese about the film's promotion. Writing about his interview with Scorsese Norman wrote,

Yet it seems to be Scorsese, rather than the studio, who is doing most to promote the film. So I asked him "Did Disney back you up when it came out? Did they really put themselves behind it to try to sell it?" Now Scorsese is a decent and diplomatic man, who likes to be fair to everybody, but eventually he said: "I personally think that, unfortunately, they didn't push the picture." For fear of offending China? "Who knows?" he said. But, perhaps significantly, he also said: "The market China represents is enormous, not just for Disney but many other corporations around the world.