Their Published Novels Include :-
- K088 - Race With Lust by Roger Normandie (1956)
- K089 - Sensuous Loves by Maurice Saden (1956)
- K090 - Burlesque Jungle by Pamela Boyer (1956)
- K091 - Web of Desire by Jacques Perdue (1956)
- K092 - Tormented Passions by Roger Normandie (1956)
- K093 - Fallen Virtues by Marty Brown (1956)
- K094 - Sins of Flesh by Orrie Hitt (1956)
- K095 - Rampant Lust by Guy Andreya (1956)
- K096 - Desire Under the Palms by Jackson Mitchell (1958)
- K097 - Price of a Virgin by Lew Lessing (1958)
- K098 - Strange Love by Jacques Perdue (1960)
- K099 - Hotel Hostess by Orrie Hitt (1960)
- K100 - Sextories by Charles Miron (1960)
- K101 - 2-4 Sex by Adam Snavely (1960)
- K102 - Lover Come Lately by Lew Lessing (1960)
- K103 - The Nude Senorita by Jackson Mitchell (1960)
- K104 - The Mad and the Damned by Robert Turner (1960)
- K105 - Too Many Loves by Eric Thomas (1960)
- K106 - Summer Islanders by Lloyd Allen (1960)
- K107 - Savage Sinner by Mike Richardson (1960)
- K108 - Suburban Interlude by Orrie Hitt (1960)
- K109 - Ski Gigolo by Lew Lessing (1960)
- K110 - Tropic Temptation by Jason Fleece (1960)
- K111 - Split-Level Love by Adam Snavely (1960)
- K112 - There Are No Angels by Richard Sargent (1960)
- K113 - Lost Passions by Gene Harvey (1960)
- K114 - Love Under Water by Jackson Mitchell (1960)
- K115 - North Beach Nymph by Lew Lessing (1960)
- K116 - Temptress by Michael St John (1960)
- K117 - Strip for Murder by Eric Thomas (1960)
- K118 - Fury by Jonathon Ward (1960)
- K119 - Virgin of Spar Rib Hill by Craig Barstow (1960)
- K120 - Sin College by Eric Thomas (1960)
- K121 - Diploma Dolls by Orrie Hitt (1960)
- K122 - The Big Flick by Adam Snavely (1960)
- K123 - The Love Seekers by Jack Matcha (1961)
- K124 - Bait by Adam Snavely (1961)
- K125 - Love is a Three Letter Word by Eric Thomas (1961)
- K126 - Passion Island by Owen Gault (1961)
- K127 - Loose Women by Walter Feldspar (1961)
- K128 - Dark Passions by Orrie Hitt (1961)
- K129 - Love Lottery by Lew Lessing (1961)
- K130 - Pool-Side Pushover by Adam Snavely (1961)
- K131 - Wayside 609 by Owen Gault (1961)
- K132 - Squeeze Play by Walter Feldspar (1961)
- K133 - Body of a Young Woman by Aaron Shirley (1961)
- K134 - Twisted Lovers by Orrie Hitt (1961)
- K135 - Tina by Jim Ruse (1961)
- K136 - Father of the Amazon by Pete Lewis (1961)
- K137 - Reaped Loves by Kirby Lord (1961)
- K138 - The Lady of the Line by Craig Barstow (1961)
- K139 - The City of Hoke by Shelly Lowenkopf (1961)
- K140 - The Abortionist by Aaron Bell (1961)
- K141 - Suburban Trap by Orrie Hitt (1961)
- K142 - Pleasure Ground by Orrie Hitt (1961)
- K143 - Carnival Honey by Orrie Hitt (1962)
- K144 - Born to be Made by John B. Thompson (1962)
- K145 - Wild Lovers by Orrie Hitt (1962)
- K146 - Man For Hire by Michael Hurley (1962)
- K147 - Entangled Loves by Jack Gates (1962)
- K148 - The Girl with the Golden G-String by Ben Berkey (1962)
- K149 - Love of the Lion by Shelly Lowenkopf (1962)
- K150 - Swamp Nymph by John B. Thompson (1962)
- K151 - Bold Affair by Orrie Hitt (1962)
- K153 - Love is Fun by Robert Bledsoe (1962)
- K154 - Water Witch by Bowie Morton (1962)
- K158 - Kiss or Kill by John B. Thompson (1962)
- K159 - The Naked Flesh by Orrie Hitt (1962)
- K160 - Wine Women and Love by Adam Snavely (1962)
- K161 - Madame by Ben Berkey (1962)
- K165 - Nymph in Need by John B. Thompson (1962)
- K177 - Love Peeper by Ben Anderton (1963)
- K179 - Blondes Don't Give a Damn by Michael Skinner (1963)
Read more about this topic: Kozy Books
Famous quotes containing the words published, novels and/or include:
“Until the Women’s Movement, it was commonplace to be told by an editor that he’d like to publish more of my poems, but he’d already published one by a woman that month ... this attitude was the rule rather than the exception, until the mid-sixties. Highest compliment was to be told, “You write like a man.””
—Maxine Kumin (b. 1925)
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
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