Classical Poetry
Classical Korean literature has its roots in traditional folk beliefs and folk tales of the Korean peninsula. There are four major traditional poetic forms: hyangga ("native songs"); pyolgok ("special songs"), or changga ("long poems"); sijo ("current melodies"); and kasa ("verses"). Other poetic forms that flourished briefly include the kyonggi-style, in the 14th and 15th centuries, and the akchang ("words for songs") in the 15th century. The most representative akchang is Yongbi och'on ka (1445–47; Songs of Flying Dragons), a cycle compiled in praise of the founding of the Yi dynasty. Korean poetry originally was meant to be sung, and its forms and styles reflect its melodic origins. The basis of its prosody is a line of alternating groups of three or four syllables, which is probably the most natural rhythm to the language.
One famous earliest poetry or lyric song was the Gonghuin (Konghu-in) by Yeo-ok during Gojoseon.
Read more about this topic: Korean Novels
Famous quotes containing the words classical and/or poetry:
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning “When” are much more numerous than those beginning “Where” of “If.” As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.”
—William Harmon (b. 1938)