Art
During the Asuka Period, the artisans from Baekje provided technological and aesthetic guidance in the Japanese architecture and arts. Therefore, the temple plans, architectural forms, and iconography were strongly influenced directly by examples in the ancient Korea. In deed, many of the Japanese temples at that time were crafted in the Baekje style. Japanese nobility, wishing to take advantage of culture from across the sea, imported artists and artisans from the Korean Peninsula (most, but not all, from Baekje) to build and decorate their first palaces and temples.
Among the earliest craft items extant in Japan is the Tamamushi shrine, a magnificent example of Korean art of that period. The shrine is a miniature two-story temple made of wood, to be used as a kind of reliquary. This shrine is so named because it was decorated with Korean indigenous iridescent beetle(Tamamushi) wings set into metal edging, a technique also practiced in Korea and this technique of tamamushi inlay is evidently native to Korea. The shrine's ornamental gilt bronze openwork, inlaid with the iridescent wings of the tamamushi beetle, is of a Korean type.
Read more about this topic: Korean Influence On Japanese Culture
Famous quotes containing the word art:
“Great art is never produced for its own sake. It is too difficult to be worth the effort.”
—George Bernard Shaw (1856–1950)
““It is of the highest importance in the art of detection to be able to recognise out of a number of facts which are incidental and which are vital.... I would call your attention to the curious incident of the dog in the night-time.”
“The dog did nothing in the night-time.”
“That was the curious incident.””
—Sir Arthur Conan Doyle (1859–1930)
“A witch is one who worketh by the Devil or by some curious art either healing or revealing things secret, or foretelling things to come which the Devil hath devised to ensnare men’s souls withal unto damnation. The conjurer, the enchanter, the sorcerer, the diviner, and whatever other sort there is encompassed within this circle.”
—George Gifford (16th century)