Works
Lorenz's best-known books are King Solomon's Ring and On Aggression, both written for a popular audience. His scientific work appeared mainly in journal articles, written in German; they became widely known to English-speaking scientists through the descriptions of it in Tinbergen's 1951 book The Study of Instinct, though many of his papers were later published in English translation in the two volumes titled Studies in Animal and Human Behavior.
- King Solomon's Ring (1949) (Er redete mit dem Vieh, den Vögeln und den Fischen, 1949)
- Man Meets Dog (1950) (So kam der Mensch auf den Hund, 1950)
- Evolution and Modification of Behaviour (1965)
- On Aggression (1966) (Das sogenannte Böse. Zur Naturgeschichte der Agression, 1963)
- Studies in Animal and Human Behavior, Volume I (1970)
- Studies in Animal and Human Behavior, Volume II (1971)
- Motivation of Human and Animal Behavior: An Ethological View. With Paul Leyhausen (1973). New York: D. Van Nostrand Co. ISBN 0-442-24886-5
- Behind the Mirror: A Search for a Natural History of Human Knowledge (1973) (Die Rückseite des Spiegels. Versuch einer Naturgeschichte menschlichen Erkennens, 1973)
- Civilized Man's Eight Deadly Sins (1974) (Die acht Todsünden der zivilisierten Menschheit, 1973)
- The Year of the Greylag Goose (1979) (Das Jahr der Graugans, 1979)
- The Foundations of Ethology (1982)
- The Waning of Humaneness (1987) (Der Abbau des Menschlichen, 1983)
- Here I Am – Where Are You? – A Lifetime's Study of the Uncannily Human Behaviour of the Greylag Goose. (1988). Translated by Robert D. Martin from Hier bin ich – wo bist du?.
- The Natural Science of the Human Species: An Introduction to Comparative Behavioral Research – The Russian Manuscript (1944–1948) (1995)
Read more about this topic: Konrad Lorenz
Famous quotes containing the word works:
“In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
—Joseph De Maistre (1753–1821)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)