Music
Robert Cobert scored the music for the original television movies. Gil Mellé wrote the music for the TV series, beginning with the theme that begins with Kolchak whistling in the opening credits. Mellé was hired and the theme was written in 20 minutes, just before the opening credits were shot.
Mellé left the series after the fourth episode, saying it was becoming too light-hearted. Composer Jerry Fielding took over scoring music for the remaining series, augmented by one score each from Greg McRitchie (best known for his collaborations with Fielding, James Horner) and Luchi De Jesus). Music Supervisor Hal Mooney re-used much of Mellé's score in various later episodes (most notably The Spanish Moss Murders which has no credited score composer) along with material from the other composers.
Two soundtrack albums have been produced. One released in 2000 by Varèse Sarabande features two suites of Cobert's music from the TV movies. The other, a Universal Television soundtrack released in 2002, features Mellé's theme and scores written for the first three episodes (The Ripper, U.F.O. and Vampire).
The Mellé theme also appears on the TVT Records' Television's Greatest Hits Volume 5. However, all licensed soundtrack recordings of the theme use an otherwise rare original recording alternate take of the theme. Initially identifiable by the altered opening whistle, an off-key electronic note is seemingly randomly introduced towards the end, but when synchronized with picture it corresponds to a specific visual. Mellé was known for his innovative use of electronic orchestration (which was used throughout the series), however the producers chose not to include this stylistic element in his main title for broadcast, instead opting for a more conventional all-orchestral sound.
Read more about this topic: Kolchak: The Night Stalker
Famous quotes containing the word music:
“A woman’s two cents worth is worth two cents in the music business.”
—Loretta Lynn (b. 1930)
“I believe that water is the only drink for a wise man: wine is not so noble a liquor; and think of dashing the hopes of a morning with a cup of warm coffee, or of an evening with a dish of tea! Ah, how low I fall when I am tempted by them! Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
—Henry David Thoreau (1817–1862)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)