Criticism
Manini Chatterjee, in a review in the Calcutta Telegraph, called Elst's book Ramjanmabhoomi vs. Babri Masjid a "very bad book". She also said that it was marred by miserably tentative terminology, like "maybe" and "possibly". Paul Teunissen's review of the same book criticizes Elst for the unfavourable portrayal of Syed Shahabuddin.
Thomas Blom Hansen described Elst as a "Belgian Catholic of a radical anti-Muslim persuasion who tries to make himself useful as a 'fellow traveller' of the Hindu nationalist movement". Ashis Nandy criticized the alleged dishonesty and moral vacuity of Elst.
Sarvepalli Gopal in the book Anatomy of a Confrontation calls Elst "a Catholic practitioner of polemics" who "fights the Crusades all over again on Indian soil". He also says that it is difficult to take an author, who "speaks of the centuries when there were Muslim rulers in India as a bloodsoaked catastrophe", seriously.
Ayub Khan says that Koenraad Elst is the most prominent advocate of Sangh Parivar in the West. He further says: "Such is his importance in Hindutva circles that L.K. Advani quoted him at length while deposing before the Liberhans Commission investigation the demolition of Babri Masjid." In a reply to Ayub Khan, Elst says that he has been critical of the Sangh Parivar in his writings.
Christian Bouchet criticized Elst's book The Saffron Swastika for having placed far too much trust in Savitri Devi's autobiography, and for claiming that Savitri Devi was bisexual.
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Famous quotes containing the word criticism:
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (1817–1862)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)