Kodak Retina Reflex - Type 041 Retina Reflex III

Type 041 Retina Reflex III

A later variant is the Type 041 Retina Reflex III. It was made from 1960 to 1964.

Its match-needle meter instrument scale is visible in the viewfinder as well as on the top plate. The camera was originally equipped with the same coupled selenium meter as the Reflex S, but after 1962 a larger one was fitted, again made by Gossen. The Reflex III features the same "setting wheel" and interlocking aperture/shutter rings as the Reflex S. As it was fashion in the early 1960s the shutter release button on top was replaced by a shutter release shifter beside the lens mount. The film advance release button was eliminated, that function being incorporated in the frame reset slider, which was moved to the bottom plate along with the (still) manually reset frame counter. The ASA setting button was moved from the ASA dial to the spot vacated by the release button.

This redesign made a new camera case design necessary, leaving additional space for the frame counter, and the frame reset slider. The Retina Reflex cases were already something special before since the film advance lever (Reflex) and aperture/shutter setting wheel (Reflex S) are located on the bottom. The photo shows just how complex the Retina case had become.

The Reflex III features the same aperture/shutter setting wheel (which Kodak called simply the "setting wheel") and interlocking aperture/shutter rings as the Reflex S.

The Retina Reflex III originally sold for $248.50 USD (app. $1720 USD in 2007). Approximately 116,000 were made.

Read more about this topic:  Kodak Retina Reflex

Famous quotes containing the words type, reflex and/or iii:

    The ideal American type is perfectly expressed by the Protestant, individualist, anti-conformist, and this is the type that is in the process of disappearing. In reality there are few left.
    Orson Welles (1915–1984)

    As a medium of exchange,... worrying regulates intimacy, and it is often an appropriate response to ordinary demands that begin to feel excessive. But from a modernized Freudian view, worrying—as a reflex response to demand—never puts the self or the objects of its interest into question, and that is precisely its function in psychic life. It domesticates self-doubt.
    Adam Phillips, British child psychoanalyst. “Worrying and Its Discontents,” in On Kissing, Tickling, and Being Bored, p. 58, Harvard University Press (1993)

    Napoleon wanted to turn Paris into Rome under the Caesars, only with louder music and more marble. And it was done. His architects gave him the Arc de Triomphe and the Madeleine. His nephew Napoleon III wanted to turn Paris into Rome with Versailles piled on top, and it was done. His architects gave him the Paris Opera, an addition to the Louvre, and miles of new boulevards.
    Tom Wolfe (b. 1931)