Kite Aerial Photography
Kites used in kite aerial photography (KAP) are typically controlled using the same reels and spools as non-KAP kite flyers. The best KAP work seems be done at lower altitudes than you might imagine (100-200'), so no special equipment is required. The most problematic KAP flights are when the best camera shot requires the kite to be flown amongst tall trees or buildings, so quick haul-in can be a plus.
The camera rig itself is attached to the kite line some distance beneath the kite, preferably with a pulley scheme that will permit the camera to float in a level attitude regardless of the kite's gyrations. The Picavet system is one such scheme.
Further sophistication in kite photography comes with live video and radio control features to control where the camera is pointing. This is superior to the minimal rig which simply clicks the camera every few minutes and must be hauled down to earth to change the direction in which the camera points. The penalty of the radio control rigs is weight, which requires higher winds to do photography. So in addition to clear skies, you must also have high winds, which will limit opportunities for photography.
Read more about this topic: Kite Control Systems
Famous quotes containing the words kite, aerial and/or photography:
“What is to be done with people who can’t read a Sunday paper without messing it all up?... Show me a Sunday paper which has been left in a condition fit only for kite flying, and I will show you an antisocial and dangerous character who has left it that way.”
—Robert Benchley (1889–1945)
“But with some small portion of real genius and a warm imagination, an author surely may be permitted a little to expand his wings and to wander in the aerial fields of fancy, provided ... that he soar not to such dangerous heights, from whence unplumed he may fall to the ground disgraced, if not disabled from ever rising anymore.”
—Sarah Fielding (1710–1768)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)