Kitchen Sink Realism

Kitchen sink realism (or kitchen sink drama) is a term coined to describe a British cultural movement which developed in the late 1950s and early 1960s in theatre, art, novels, film and television plays, whose 'heroes' usually could be described as angry young men. It used a style of social realism, which often depicted the domestic situations of working-class Britons living in rented accommodation and spending their off-hours drinking in grimy pubs, to explore social issues and political controversies.

The films, plays, and novels employing this style are set frequently in poorer industrial areas in the North of England, and use the rough-hewn speaking accents and slang heard in those regions. The film It Always Rains on Sunday (1947) is a precursor of the genre, and the John Osborne play Look Back in Anger (1956) is thought of as the first of the idiom. Another important writer in the movement is Paddy Chayefsky.

The gritty love-triangle of Look Back in Anger, for example, takes place in a cramped, one-room flat in the English Midlands. The conventions of the genre have continued into the 2000s, finding expression in such television shows as Coronation Street and EastEnders.

In art, "Kitchen Sink School" was a term used by critic David Sylvester to describe painters who depicted social realist-type scenes of domestic life.

Read more about Kitchen Sink Realism:  List of Films Associated With Kitchen Sink Realism

Famous quotes containing the words kitchen, sink and/or realism:

    Builder, in building the little house,
    In every way you may please yourself;
    But please please me in the kitchen chimney:
    Don’t build me a chimney upon a shelf.
    Robert Frost (1874–1963)

    Horse-play, romping, frequent and loud fits of laughter, jokes, waggery, and indiscriminate familiarity, will sink both merit and knowledge into a degree of contempt. They compose at most a merry fellow; and a merry fellow was never yet a respectable man.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for.
    Oscar Wilde (1854–1900)