Plot
In June 1934, Kit Kittredge (Abigail Breslin) is determined to become a reporter, and she writes articles on the typewriter in her attic while drama unfolds beneath her. The mortgage on her house is about to be foreclosed because her father (Chris O'Donnell) lost his car dealership and couldn't keep up with the payments. He has gone to Chicago, Illinois to search for work, and to make some income her mother (Julia Ormond) takes in an odd assortment of boarders, including magician Mr. Berk (Stanley Tucci), dance instructor Miss Dooley (Jane Krakowski), and mobile library driver Miss Bond (Joan Cusack). Locally there have been reports of muggings and robberies supposedly committed by hobos. Kit investigates and meets young Will (Max Thieriot) and Countee (Willow Smith), who live in a hobo jungle near the Ohio River and Erie Lackawanna Railway. Kit writes a story about the camp and tries to sell it to Mr. Gibson (Wallace Shawn), the mean editor of the Cincinnati newspaper, but he has no interest in the subject. She adopts a dog, her mother buys chickens, and Kit sells their eggs. Then a locked box containing her mother's treasures is stolen, and a footprint with a star matching the one on Will's boot is discovered, making him the prime suspect. The sheriff goes to find Will and Countee. However, Will and Countee have left the hobo jungle. It's up to Kit and her friends Stirling (Zach Mills) and Ruthie (Madison Davenport) to gather enough evidence to prove that Will is innocent and Mr. Berk (along with his assitant Frederich) is the guilty party. Kit becomes a local hero. They found out that Countee has been pretending to be a boy. On Thanksgiving the hobos bring food to Kit's mother and Kit's father returns home. Mr. Gibson arrives to show Kit she is in print in Cincinnati's major daily newspaper.
Read more about this topic: Kit Kittredge: An American Girl
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)