Production Credits
- Marianne Faithfull: Vocals, Background Vocals, Synthesizer, Percussion, Handclapping
- Beck: Producer, Programming, Guitar, Synthesizer, Percussion, Background Vocals
- Tony Hoffer: Producer, Programming, Engineer, Mixing
- Justin Meldal-Johnsen: Bass
- Jon Brion: Celeste, Drums, Chamberlain, Harmonium
- Smokey Hormel: Guitar
- Étienne Daho: Producer
- Edith Fambuena: Producer, Guitar
- Jean Louis Pierot: Producer, Keyboards
- Dave Stewart: Producer, Bass, Guitar
- Billy Corgan: Producer, Bass, Guitar, Keyboards, Programming, Background Vocals, Engineer, Mixing
- Shawn Christopher: Background Vocals
- Paris Delane: Background Vocals
- Matt Walker: Drums
- Ben Hillier: Producer, Engineer, Mixing, Handclapping
- Barry Reynolds: Producer, Bass, Guitar, Programming, Mixing
- Ned Douglas: Keyboards, Programming
- Mark Price: Drums
- Mako: Programming
- Gavin Skinner: Drums
- Blur:
- Damon Albarn: Guitar, Keyboards, Background Vocals, Handclapping
- Graham Coxon: Guitar
- Alex James: Bass, Handclapping
- Dave Rowntree: Drums, Handclapping
- Pulp:
- Jarvis Cocker: Producer, Keyboards
- Steve Mackey: Producer, Bass
- Mark Webber: Guitar
- Nick Banks: Drums
- Howard Willing: Pre-Production
- Clive Goddard: Engineer, Mixing
- Bjorn Thorsrud: Engineer, Mixing
- Nick Addison: Engineer
- Jean-Paul Gonnod: Engineer
- Chris Potter: Engineer
- Howie Weinberg: Mastering
- Tim Young: Mastering
- Nick Knight: Photography
- Paul Hetherington: Graphic Design, Art Direction, Design
- Howard Wakefield: Graphic Design
Read more about this topic: Kissin' Time
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)