Popular Culture
- The fanbase of Martin O'Donnell was named, "The Marty Army" as a joke at Marty's expense by Matt Soell and Max Hoberman.
- On The Daily Show, Jon Stewart remarked in regards to US Army's readiness after being engaged in Iraq and Afghanistan that "the only armies we have left are Kiss and Salvation and they don't get along too well".
- On That Metal Show, Don Jamison said, "They've got an army that's very powerful. I think the Kiss Army's in Iraq right now".
- In Season 1 of the popular TV series The Mighty Boosh, Vince is often seen wearing a Kiss Army patch on his sleeve.
- Referenced multiple times in the film Detroit Rock City.
- In the online web-comic 'Erfworld', the most elite soldiers under the employ of Warlord Stanley the Tool are referred to as the 'Knights in Stanley's Service', which obviously abbreviates to Kiss. The reference is further reinforced by their black, white and silver warpaint (imitating Kiss's style), black leather 'armor' and are all equipped with axes. (Again, a nod to Gene Simmons, whose bass guitar is modeled to look like a literal axe.) also during the 35th anniversary Gene Simmons and Paul Stanley phoned in to the radio station and members of The Kiss Army surrounded the radio station.
- On the season 3 episode of The Big Bang Theory, "The Gothowitz Deviation", Penny asks Howard "Did the Kiss Army repeal don't ask don't tell?".
- In Two and a Half Men, Jake asks his step-father Herb if he has ever been in the army to which the response was "No, but I was in the Kiss Army"
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Famous quotes containing the words popular and/or culture:
“An aesthetic movement with a revolutionary dynamism and no popular appeal should proceed quite otherwise than by public scandal, publicity stunt, noisy expulsion and excommunication.”
—Cyril Connolly (19031974)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)