Kirby & The Amazing Mirror - Plot

Plot

There is a Mirror World that exists in the skies of Dream Land. It is a world where any wish reflected in the mirror will come true. However, one day it only copies evil minds, and rapidly changes into a world of evil. Meta Knight notices this, and flies up to save the Mirror World.

Meanwhile, Kirby is taking a walk when Dark Meta Knight appears. Before Kirby can react, Dark Meta Knight slices Kirby in four and Kirby becomes four different colored "Kirbys". Kirby travels alone, but if his cell phone is working, he can call his friends and they will help him. They chase after the Dark Meta Knight and enter the Mirror World.

The two Meta Knights fight each other and the real Meta Knight is defeated. He is knocked into the mirror, which is then cut into eight fragments by Dark Meta Knight (which are then scattered across the Mirror World), so Kirby must save Meta Knight and the Mirror World. After collecting all eight mirror fragments, Kirby enters the Mirror World and battles Dark Meta Knight. After defeating him, a vortex appears and sucks Kirby in, who is given Meta Knight's sword. Kirby fights 4 bosses before battling the Dark Mind. Upon defeat, the Mirror World is saved.

Read more about this topic:  Kirby & The Amazing Mirror

Famous quotes containing the word plot:

    “The plot thickens,” he said, as I entered.
    Sir Arthur Conan Doyle (1859–1930)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)