King's Singers - Concert Structure

Concert Structure

Most of their a cappella concerts are divided into five distinct groups of pieces. The first four vary widely (madrigals, folk songs, recently commissioned pieces, etc.) but are generally taken from the serious side of the group's repertoire, but the last group of the concert is typically a "close harmony" set. Often it consists of lighter fare, including music of The Beatles, Billy Joel, Queen, George Gershwin, Harold Arlen or Irving Berlin, many of which have been arranged for the group by composers such as Richard Rodney Bennett, Jeremy Lubbock, Bob Chilcott, Philip Lawson and John Rutter. Sometimes the final set (in a concert of religious music) will be a spiritual harmony set - entitled "Songs of Faith and Hope". This set could be composed of American Spirituals, arranged by contemporary composers, including group member Philip Lawson and former member Bob Chilcott. Pieces in this set could include Simple Gifts, Deep River, Down to the River to Pray, and Stand Still, Jordan as well as more spiritual pop songs such as "Some Folks Lives Roll Easy" by Paul Simon.

More recently, however, the King's Singers have begun to perform "Concept Programmes" which have a set theme running throughout. These could be simply a 60-minute first-half sequence, often performed in European Cathedral concerts, with a Mass or Requiem setting providing the backbone, interspersed with other shorter works, or a more fundamental concept which infuses every piece performed. Examples of this latter art include "Sacred Bridges", a programme of Jewish, Islamic and Christian settings of Psalms, performed with Dr. Vladimir Ivanoff and his ensemble, "Saraband". The group has also created concert programmes relating to recent CD recordings, including "Landscape and Time" and "Treason and Dischord", the latter a programme commemorating the 400th anniversary of the Gunpowder Plot, and including a script read in live performances by actors Joss Ackland and Bill Wallis. The group works closely with concert promoters and local agents to determine the best possible programme for each concert, whether for church, concert hall, open-air venue or private house.