Culture
Modern Greek painting, after the independence and the creation of the modern Greek state, began to be developed around the time of Romanticism and the Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art.
Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films begun. Golfo (Γκόλφω), a well known traditional love story, is the first Greek long movie, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), contained the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.
The 1950s and early 1960s are considered by many as the Greek Golden age of Cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Mihalis Kakogiannis, Alekos Sakellarios, Melina Mercouri, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, Irene Papas etc. More than sixty films per year were made, with the majority having film noir elements.
Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis). Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more.
Read more about this topic: Kingdom Of Greece
Famous quotes containing the word culture:
“... weve allowed a youth-centered culture to leave us so estranged from our future selves that, when asked about the years beyond fifty, sixty, or seventyall part of the average human life span providing we can escape hunger, violence, and other epidemicsmany people can see only a blank screen, or one on which they project fear of disease and democracy.”
—Gloria Steinem (b. 1934)
“The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.”
—Susan Sontag (b. 1933)
“Letting a hundred flowers blossom and a hundred schools of thought contend is the policy for promoting the progress of the arts and the sciences and a flourishing culture in our land.”
—Mao Zedong (18931976)