Plot
Kingdom Come is a story of a family (the Slocumbs), living out in the country, who come together after the death of a family member, whom no one seems to remember with much fondness. It is based on the Off-Broadway play Dearly Departed.
First, there's Woodrow "Bud" Slocumb, the man in question, whose wife, Raynelle (Whoopi Goldberg), is pretty nonchalant about his death from a stroke. Then there's Ray Bud (LL Cool J), a recovering alcoholic who has a problem with seeing his father dead because of their rocky relationship. His wife, Lucille (Vivica A. Fox), is a loving, devoted housewife who goes out of her way to make sure that everyone has everything they need. But she can't have the one thing she wants out of life: a child. Next, Junior (Anthony Anderson) has blown all of his money on a failed invention, and his loud-mouthed wife Charisse (Jada Pinkett Smith) is no help. She hits the roof after his infidelity and reminds him often that she could have been married to his rich lawyer cousin (who, it's later revealed, left his own wife played by Toni Braxton). There's Marguerite (Loretta Devine) a pious, overbearing mom who usually calls her son "Demon Seed"; she fears that he will end up in jail like his brother. Her son Royce (Darius McCrary) is an unemployed worker who is irritated by his mother's unsolicited and shrill advice on how to live his life.
Read more about this topic: Kingdom Come (2001 Film)
Famous quotes containing the word plot:
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no ones actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)