King Christian II Suite - Movements

Movements

The suite consists of five movements:

Movement Type Tempo Notes
1 Nocturne Molto moderato A love scene.
2 Elegy Andante sostenuto The original introduction to the incidental music. Scored only for strings.
3 Musette Allegretto Dyvecke's dance. Originally scored for clarinets and bassoons, but strings added for the incidental music.
4 Serenade Moderato assai (Quasi menuetto) Taken from the prelude to the third act of the play (music for the court ball).
5 Ballade Allegro molto The tempestuous music reflects the anger of the King.

The Incidental music included an additional movement: the Fool's Song of the Spider.

Read more about this topic:  King Christian II Suite

Famous quotes containing the word movements:

    His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.
    Vladimir Nabokov (1899–1977)

    Awareness of the stars and their light pervades the Koran, which reflects the brightness of the heavenly bodies in many verses. The blossoming of mathematics and astronomy was a natural consequence of this awareness. Understanding the cosmos and the movements of the stars means understanding the marvels created by Allah. There would be no persecuted Galileo in Islam, because Islam, unlike Christianity, did not force people to believe in a “fixed” heaven.
    Fatima Mernissi, Moroccan sociologist. Islam and Democracy, ch. 9, Addison-Wesley Publishing Co. (Trans. 1992)

    Just as language has no longer anything in common with the thing it names, so the movements of most of the people who live in cities have lost their connexion with the earth; they hang, as it were, in the air, hover in all directions, and find no place where they can settle.
    Rainer Maria Rilke (1875–1926)