Kim Mitchell - Career

Career

On his return to Canada, he formed the band Max Webster with fellow Sarnia native Pye Dubois. Max Webster toured extensively and built a string of hits. Mitchell's solo career began after his departure from Max Webster, with session work and a succession of solo albums.

A new sound was road-tested on the club circuit and recorded on his 1982 self-titled mini-album. Songs such as Chain of Events featured Mitchell's lead vocal and guitar and Dubois' suburban story-telling, anchored by the visceral drum/bass combination of Paul DeLong and Robert Sinclair Wilson. Peter Fredette added vocal and guitar counterpoint.

In early 1985, the song "Go For Soda" from the Akimbo Alogo album became an international hit and remains his best known song outside of his native Canada. The song was also featured in the opening scene of the 1985 Miami Vice episode Buddies. It was popularized in a series of television commercials for the soft drink Mr. Pibb. More recently, that ad campaign was lampooned by American Dad, in the episode A.T. the Abusive Terrestrial. The song was later used by Trailer Park Boys in the episode "We Can't Call People Without Wings Angels So We Call Them Friends". His most successful Canadian album was the follow-up, 1986's Shakin' Like a Human Being, featuring the hits "Alana Loves Me", "Easy to Tame", and the biggest hit of his career, "Patio Lanterns".

In 1992, Mitchell played guitar on the track "Brave and Crazy" from Tom Cochrane's album Mad Mad World. In that same year he also made a cameo appearance (as himself) on the third season finale of the popular Canadian sketch program The Kids in the Hall.

Read more about this topic:  Kim Mitchell

Famous quotes containing the word career:

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)