Disputed Origins
Norman Gimbel came to California in the mid-1960s. He was introduced to the Argentinean-born composer Lalo Schifrin (then of Mission: Impossible fame) and began writing songs to a number of Schifrin's films. Both Gimbel and Schifrin made a suggestion to write a Broadway musical together, who Schifrin gave Gimbel an Argentinean novel to read as a possible idea. The book was never made into a musical, but in one of the chapters, the principal character describes himself as sitting alone in a bar drinking and listening to an American pianist 'killing me softly with his blues.' Gimbel put the idea in his 'idea' book for use at a future time with a parenthesis around the word 'blues' and substituted the word 'song' instead.
According to Lori Lieberman, the artist who performed the original recording in 1972, the song was born of a poem she wrote after experiencing a strong reaction to the song "Empty Chairs," written, composed, and recorded by Don McLean. She then related this information to Gimbel, who took her feelings and put them into words. Then, Gimbel passed the words on to Fox, who set them to music.
Fox himself, however, has specifically repudiated Lieberman's having input into the song's creation, saying: "We wrote the song and heard it and said it reminded her of how she felt at concert. Don McLean didn't inspire Norman or I to write the song but even Don McLean thinks he's the inspiration for the song according to his official website!"
Read more about this topic: Killing Me Softly With His Song
Famous quotes containing the word origins:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)