Matou a Família e Foi ao Cinema (English: Killed His Family and Went to the Movie Theater) is a Brazilian film directed by Júlio Bressane and released in 1969.
This is quite an innovative movie, in which the protagonist – after doing what the title says – watches four short sketches of other movies with varied plots, including one about rape. It seems that the film is intended to be a harsh (but indirect) critique of sensationalist newspapers (the film's title is taken from mock news headlines), banalisation of violence and sexual exploitation. One of the possible explanations for the plot is to criticise torturers who killed students but still went home in peace.
A remake was made in 1991. This version, also directed by Bressane, was more polished visually (in colour) and had a nice musical score, but suffered from bad acting. It added an interesting trick in that the film starts with loud music and without any credits; these only appear at the end, after fake newspaper headlines show the film's name.
Famous quotes containing the words killed, family and/or movies:
“Passion is here a soilure of the wits,
We’re told, and Love a cross for them to bear;
Joy shivers in the corner where she knits
And Conscience always has the rocking-chair,
Cheerful as when she tortured into fits
The first cat that was ever killed by Care.”
—Edwin Arlington Robinson (1869–1935)
“Much that is urged on us new parents is useless, because we didn’t really choose it. It was pushed on us. It—whether it be Raffi videos, French lessons, or the complete works of Brazelton—might be just right for you and your particular child. But it is only right when you feel that it is. You know your family best; you decide.”
—Sonia Taitz (20th century)
“The movies were my textbooks for everything else in the world. When it wasn’t, I altered it. If I saw a college, I would see only cheerleaders or blonds. If I saw New York City, I would want to go to the slums I’d seen in the movies, where the tough kids played. If I went to Chicago, I’d want to see the brawling factories and the gangsters.”
—Jill Robinson (b. 1936)