Kid Charlemagne - Composition

Composition

Writers Walter Becker and Donald Fagen have stated that the lyrics were loosely inspired by the exploits of the infamous 1960s San Francisco-based LSD chemist Owsley Stanley — although it conflates the core story with numerous other images of the Sixties:

On the hill the stuff was laced with kerosene
But yours was kitchen clean
Everyone stopped to stare at your Technicolor motor home
Every A-frame had your number on the wall

The first two lines draw on the fact that Owsley's acid was famed for its purity, and the third line is likely a reference to the famous psychedelic bus named Further, which was used by the Merry Pranksters, who were supplied their LSD by Owsley himself.

The lyric "You'd go to LA on a dare and you'd go it alone" alludes to a story in The Electric Kool-Aid Acid Test about a trip taken by chief Prankster Ken Kesey.

The final verse foreshadows Owsley's eventual bust:

Clean this mess up else we'll all end up in jail
Those test tubes and the scale
Just get it all out of here
Is there gas in the car?
Yes, there's gas in the car
I think the people down the hall know who you are

Owsley and another person were arrested after their car ran out of gas.

The song features a jazz-inflected electric guitar solo by guitarist Larry Carlton. The drum track was played by Bernard "Pretty" Purdie whose long-time session partner, Chuck Rainey, plays the bass.

Read more about this topic:  Kid Charlemagne

Famous quotes containing the word composition:

    “There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
    —Gertrude Stein (1874–1946)

    “It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!”
    —Thomas Chatterton (1752–1770)

    “Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
    —Vladimir Nabokov (1899–1977)