Khmer traditional wrestling (Bok Cham Babចំបាប់) is a folk wrestling style from Cambodia. It has been practiced as far back as the Angkor period and is depicted on the bas-reliefs of certain temples. Although predominantly a male sport today, Khmer wrestling was once practiced by both sexes as female wrestlers are also displayed on the Banteay Srei temple. In Khmer wrestling, the dancing is as important as the wrestling. There is a pre-match ritual dancing before the match in which the wrestlers dance and move to the music. Matches consists of three rounds. Victory is obtained by forcing the opponent on their back. The person who is able to win two of the three rounds is the winner of the match. After each round the loser is asked if he wishes to continue with the match. The match is accompanied by the music of two drums (called skor ngey and chhmol which means female drum and male drum). Traditional matches are held during the Khmer New Year and other Cambodian on holidays. This sport used to be a means of choosing tribal and regional leaders. In the olden times, elders taught the young in their village on the full moon night after harvesting. It would take place on a rice paddy outside the village and under the moonlight.
Famous quotes containing the words traditional and/or wrestling:
“The traditional novel form continues to enlarge our experience in those very areas where the wide-angle lens and the Cinerama screen tend to narrow it.”
—Daniel J. Boorstin (b. 1914)
“We laugh at him who steps out of his room at the very moment when the sun steps out, and says: “I will the sun to rise”; and at him who cannot stop the wheel, and says: “I will it to roll”; and at him who is taken down in a wrestling match, and says: “I lie here, but I will that I lie here!” And yet, all laughter aside, do we ever do anything other than one of these three things when we use the expression, “I will”?”
—Friedrich Nietzsche (1844–1900)