Ernest Hemingway
Legend has it that Ernest Hemingway wrote A Farewell to Arms while living above the showroom of a Key West Ford dealership at 314 Simonton Street while awaiting delivery of a Ford Model A roadster purchased by the uncle of his wife Pauline in 1928.
Hardware store owner Charles Thompson introduced him to deep-sea fishing. Among the group who went fishing was Joe Russell (also known as Sloppy Joe). Russell was reportedly the model for Freddy in To Have and Have Not. Portions of the original manuscript were found at Sloppy Joe's Bar after his death. The group had nicknames for each other, and Hemingway wound up with "Papa".
Pauline's rich uncle Gus Pfeiffer bought the 907 Whitehead Street house in 1931 as a wedding present. Legend says the Hemingways installed a swimming pool for $20,000 in the late 1930s (equivalent in 2006 to $250,000). It was such a high price that Hemingway is said to have put a penny in the concrete, saying, "Here, take the last penny I've got!" The penny is still there.
During his stay he wrote or worked on Death in the Afternoon, For Whom the Bell Tolls, The Snows of Kilimanjaro, and The Short Happy Life of Francis Macomber. He used Depression-era Key West as the locale for To Have and Have Not — his only novel set in the United States.
Pauline and Hemingway divorced in 1939, and Hemingway only occasionally visited while returning from Havana until his suicide in 1961.
The six- or seven-toed polydactyl cats descended from Hemingway's original pet 'Snowball' still live on the grounds and are cared for at the Hemingway House, despite complaints by the U.S. Department of Agriculture that they are not kept free from visitor contact, and the Key West City Commission exempted the house from a law prohibiting more than four domestic animals per household.
Read more about this topic: Key West, History, Winter White House
Famous quotes by ernest hemingway:
“The rich were dull and they drank too much or they played too much backgammon. They were dull and they were repetitious. He remembered poor Julian and his romantic awe of them and how he had started a story once that began, ‘The very rich are different from you and me.’ And how someone had said to Julian, ‘Yes, they have more money.’”
—Ernest Hemingway (1899–1961)
“I’ve tried to reduce profanity but I reduced so much profanity when writing the book that I’m afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.”
—Ernest Hemingway (1899–1961)
“His talent was as natural as the pattern that was made by the dust on a butterfly’s wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.”
—Ernest Hemingway (1899–1961)
“You know lots of criticism is written by characters who are very academic and think it is a sign you are worthless if you make jokes or kid or even clown. I wouldn’t kid Our Lord if he was on the cross. But I would attempt a joke with him if I ran into him chasing the money changers out of the temple.”
—Ernest Hemingway (1899–1961)