Film
| Year | Title | Credited as | ||||||
|---|---|---|---|---|---|---|---|---|
| Director | (Executive) Producer |
Editor | Writer | Actor | Role | Notes | ||
| 1992 | Mae Day: The Crumbling of a Documentary | Yes | Yes | Yes | Yes | Yes | Director | Vancouver Film School project. Included on Clerks X DVD release. |
| 1994 | Clerks | Yes | Yes | Yes | Yes | Yes | Silent Bob | |
| 1995 | Mallrats | Yes | Yes | Yes | ||||
| 1997 | Chasing Amy | Yes | Yes | Yes | Yes | |||
| 1999 | Dogma | Yes | Yes | Yes | Yes | |||
| 2001 | Jay and Silent Bob Strike Back | Yes | Yes | Yes | Yes | |||
| 2004 | Jersey Girl | Yes | Yes | Yes | Yes | |||
| 2006 | Clerks II | Yes | Yes | Yes | Yes | Silent Bob | ||
| 2008 | Zack and Miri Make a Porno | Yes | Yes | Yes | Yes | |||
| 2010 | Cop Out | Yes | Yes | |||||
| 2011 | Red State | Yes | Yes | Yes | Yes | Voice at very end of film | ||
| TBA | Clerks III | Yes | Yes | Yes | ||||
Read more about this topic: Kevin Smith Filmography
Famous quotes containing the word film:
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)